Big Whoop

A man named Garvey sedated me once, though the whole outcome could have been avoided. We’d begun feuding the week prior, a trivial dispute over the price of corn muffin mix. Stupid, right? Well, this Garvey feller sure didn’t think so. And it just so happened that his friendly neighborhood drug dealer unloaded a ton of vicodin on him that week, so he was bound to sedate me whether or not we disagreed on anything. I may live to regret having anything to do with that man, but life is a rich tapestry that deserves its fair share of intrigue.

His sister, Nancy, had her own agenda when it came to handling the G-Man. Having lived with him a majority of her life, she’d developed an ingenious coping mechanism for dealing with his ridiculous foibles. Any time he began ranting about the military industrial complex, the go-to strategy would be to bring up the time he’d run into Steve Harvey while jogging on the riverfront–near the Wrigley Building. That would immediately stop his conspiratorial theorizing and send him spiraling through all five stages of the celebrity run-in phenomenon. Turns out Garvey is this joker’s last name. First name: Steve.

Originally, Nancy had only been prepared to shift her brother’s mania away from excessive government spending, but she eventually developed a secondary strategy out of necessity. After letting Steve go on about the Garvey/Harvey thing for a couple minutes, she’s gotten quite skilled at channeling his enthusiasm into a creative jag. Now–since Garvey prefers to make ink drawings, Nancy has set up a corner in her apartment designed solely for her brother to zen out after he gets a little too worked up about the 10-second exchange that he and Steve Harvey’d had. The passion lends itself to the page as he jots up a storm. He doesn’t want to burden himself with any extra material possessions, so he leaves all his creations at Nancy’s place. Nancy has turned a tidy profit from his efforts, since Steve-o gets worked up quite often. It’s reached the point where Nancy could take a year-long hiatus from waitressing and not feel pinched for a minute of it.

So yeah, I let Garvey sedate me. Big whoop. I was hoping he’d feel bad about it and draw me a nice picture that could finance a backpacking trip through the Black Forest.

Far-Fetched

Stern army fandanglers initiate the bizarrest of letterbox rituals as a way to compensate for their minimal internal squawking about where in the hell to buy a caramel macchiato during a Thursday afternoon rush hour—it’s definitely the most congested freeway seen around these parts in quite some time, the rubbernecks all out in force and jamming up the left lane to catch glimpses of a minor fender bender where the only detail of note would be the involvement of a clown car. Fortunately, no actual clowns happened to be in or, indeed, even around said automobile, or traffic would surely would be at a complete standstill.

The question remains: why is there a clownless clown car on the road? A rational observer would surmise that it’s headed to the shop, getting an oil change or tire rotation, or perhaps being treated to the periodic hand car wash and wax (one of Flopsy® the Clown’s numerous contract stipulations). Suffice it to say that none of these scenarios would benefit from the presence of a real live clown, unless some sort of clowning industry discount were to apply to these local auto-maintenance establishments, which seems utterly far-fetched (yet plausible if our society only knew who pulled the strings).

Never gonna get that got damn macchiato…

“Wild West”

Slammin’ the fit-o-deena–ground lengthwise across a bawdy expanse of thneeds
(which everybody needs)–we took our serenades elsewhere, confident in our knowledge of the occult (i.e. the back-stabbery and latent overall treachery that sorts itself out over the course of dozens of generations) and its ability to stall disbelief as one would when faced with a Mel Brooks-esque (or, to a lesser extent, Mel Blanc-ish) dilemma involving the safety of an entire town, where the hapless protagonist even agonizes over the insignificant-yet-unique blood splotch patterns on each and every last hitching post (with the hopes of creating a permanent photographical installment at the Getty and cementing his status as one of the pioneers of pre-modernized main street massacre legacy documentation that would span the seldom-understood and often-demonized “Wild West” (that is, if he has anything to say about it)).