A man named Garvey sedated me once, though the whole outcome could have been avoided. We’d begun feuding the week prior, a trivial dispute over the price of corn muffin mix. Stupid, right? Well, this Garvey feller sure didn’t think so. And it just so happened that his friendly neighborhood drug dealer unloaded a ton of vicodin on him that week, so he was bound to sedate me whether or not we disagreed on anything. I may live to regret having anything to do with that man, but life is a rich tapestry that deserves its fair share of intrigue.
His sister, Nancy, had her own agenda when it came to handling the G-Man. Having lived with him a majority of her life, she’d developed an ingenious coping mechanism for dealing with his ridiculous foibles. Any time he began ranting about the military industrial complex, the go-to strategy would be to bring up the time he’d run into Steve Harvey while jogging on the riverfront–near the Wrigley Building. That would immediately stop his conspiratorial theorizing and send him spiraling through all five stages of the celebrity run-in phenomenon. Turns out Garvey is this joker’s last name. First name: Steve.
Originally, Nancy had only been prepared to shift her brother’s mania away from excessive government spending, but she eventually developed a secondary strategy out of necessity. After letting Steve go on about the Garvey/Harvey thing for a couple minutes, she’s gotten quite skilled at channeling his enthusiasm into a creative jag. Now–since Garvey prefers to make ink drawings, Nancy has set up a corner in her apartment designed solely for her brother to zen out after he gets a little too worked up about the 10-second exchange that he and Steve Harvey’d had. The passion lends itself to the page as he jots up a storm. He doesn’t want to burden himself with any extra material possessions, so he leaves all his creations at Nancy’s place. Nancy has turned a tidy profit from his efforts, since Steve-o gets worked up quite often. It’s reached the point where Nancy could take a year-long hiatus from waitressing and not feel pinched for a minute of it.
So yeah, I let Garvey sedate me. Big whoop. I was hoping he’d feel bad about it and draw me a nice picture that could finance a backpacking trip through the Black Forest.
In light of this glut of well-delivered monologues here tonight, I’m convinced that we humans–because I’m definitely a human, don’t go running around and telling your friends otherwise–quite possibly have a fighting chance in this thing we call life amongst the celestial bodies (well, at least that’s what I call it). While by no means a guarantee, I can certainly exclaim that creativity should–dare I say must–eventually overtake the box-in-box mentality that has, thus far, led to the perpetuation of flocking masses of mundanity, sometimes riled to the point of stampeding.
Those of us who can visualize the ideal representation of creative humanity will be sick and tired of bowing down to tyrannical individuals who would prefer to destroy rather than glorify the artistic inspiration leading to craft (for craft’s sake). In the eyes of the inscrutable free-market economist, if something that requires a great deal of skill also happens to net you a tidy profit, then it will obviously be quite desirable. In the face of such bandwagon antics, it takes the uncompromising individual to declare “I am going to do this because I love it, no matter how minute the level of compensation.”
A healthy schnitzelfritz
is all we would need
for a cut-rate Dependence Day
on the Frontier of Many Puddings.
Ever since the rolling scabies epidemic
took its time crossing the Ganges,
twelve men have made it their business
to carve necklaces from oak stumps
as a way of reconnecting
with their wood nymph sides
while honing their dedication
to sculptural accessorizing.
After all those mentions of scriptural evangelizing, our Maker’s Dozen–as they like to call themselves–made the executive decision to secularize the whole process and peddle the wares of their ingenuity for a tidy profit (at least, wherever flea markets intersect with local art exhibitions).
One mustn’t mistake this ingenuity
for dogmatic commitment to peculiar crafting,
as these enterprising young monks
would be the first to tell you.
Frankly, these fellows have
a bit of a competitive streak in them
that has yet to be beaten out
by assumptive authoritarians,
and a near-endless supply
of stump-grade dynamite
only served to seal the deal.
Stu has an irreverent tone to him today. Was it the pineapple liqueur we plied him with before the road trip to Tijuana? I guess it could have started there, but the tequila probably sealed the deal. Whatever the cause, this man certainly doesn’t know the meaning of off-switch. He’s off, don’t get me wrong there. I suppose the main discrepancy lies in his knowledge of what it means to be “on.” He has his own notions, which all point toward an absence of critical thought and an inherent acceptance of the status quo, which definitely do not endear him to the youths of today. And after all, who pulls the strings around here? There are two answers:
The financial benefactor who supplies the dollars and necessitates prudence through their old-world viewpoint that relies on fear-based tactics
The youthful tastemaker who takes it upon him/herself to challenge whatever position may have formed over the past quarter-century and invent a hybrid form of expression that (over the subsequent quarter-century) pervades all social conventions and leads to the same cycle of adherence as with what had been previously-established–ironic, yes? This process will be repeated ad infinitum until either (A) the species evolves and outgrows such petty matters, or (B) we all die horrific, gruesome deaths at our own hands.
No matter what transpires, it’s important to remember that, to our tragic figure Stu, everything is relative, and there’s no point in making any more friends if it’ll just lead to pointless poisonings.