Improvisation without representation is definitely authorized in this club, though I don’t quite know how it’s supposed to be accomplished (at least without some corporeal manifestation hanging around on this mechanical rotating clothes rack we call the universe).
First off, you’re supposed to “yes, and” the opposition into submission as often as possible, which typically would require a physical body in space and time. However, perhaps a physical body needn’t be required if we piped a nice [tinny] audio stream into the room as the live interaction winds itself down.
But that all goes without stating the obvious: if the instigator of improvisational inquiry has no chunky terrestrial body of which to speak, then why should the foil of the piece remain a solid entity? That just puts the burden on them, don’t you see? Having all of those internal organs thinly covered by what’s basically just a fleshy layer of napkins (and not the two-ply kind)… it’s dangerous! I won’t stand for reckless endangerment in the name of creativity.
Jemblatrons squeeze through the tetrahedra
as though mall cops have some kind of a stake
in all of this.
It’s not uncommon
to see such a prairie-headed analogy
encompassing the flight of the larcenous
concord penguin, be the bird yella or gold,
kite-running or otherwise.
Whether or not we align ourselves
to this illustrious ancient practice
has little to do with our blood sugar content,
though many shallow-ended participants
profess prediabetic plight.
I have come to more thoroughly understand
being a man in the context of the great
regret machinations of our time
[a sensation not unlike finishing
the stinking shawarma you left out
that one time then decided to eat
because your fatigue caused a lack of interest
in unwritten expiration date consideration],
and have chosen to fish away my days
in lakes, rivers, ponds and streams, where
the skeletons all around you,
to the bluegills
while they inspect your lure
grinning at your little boat],
ears naturally aglow.
striders dot the scene,
checking for proper surface tension
(it’s like they don’t know about physics
and the evolution that specifically adapted them
to traveling in a manner that will never not be useful
in our particular iteration of the universe).
Levity slices through to the heart of an artichoke much more effectively than any knife.
That’s at least what my uncle Gilfroy told me one time over whiskey sours. I couldn’t partake with him, seeing as I was just a wee lad at the time, but he certainly enjoyed at least a handful of those particular beverages that afternoon. I couldn’t be sure if he was yanking my chain or just drunk enough to start seeing metaphors as literal occurrences. He had a funny way of abandoning our family’s sensibilities from time to time (usually with the aid of drink), and we still haven’t pieced together whether or not we should have ever been taking him seriously.
I for one enjoyed his antics, all the way up until his disappearance.
Now, the grey-hairs in my family clan have all unequivocally declared that he died at sea promptly after concocting a hair-brained scheme to sail around the world. I think they were just coming up with a convenient excuse to bookend his misunderstood life and wrap it up neatly with a cute little (morbid) bow. Personally, I have a sneaking suspicion that he’s alive and well, coming up with different vegetable-related remarks every time he meets a new person he likes.
Why do we always gravitate toward senseless tragedy when we should already know how that train wreck’s going to play out? Seems like quite the schematic for failure, and I want no part in it unless you’re wrapping something in bacon on my behalf.
You’ve known my price for some time, okay? Don’t act so surprised.
Anyway, where was I? Oh yeah!
So Captain Chilango gave me his cure-all recipe once he’d heard my ducksnort of a chili cook-off success story. He looked me right in the eye and said
“kid, you’ve got potential, but you need to set your sights a little higher than some two-bit cook-off in a two horse town. Go see a movie or two–you’ll get to see the world through a different lens, and maybe learn a thing or two while you’re at it.”
Well, he was certainly right about that. I went and saw my first moving picture, and haven’t looked back ever since. Now I get all my valuable worldly information from the silver screen, to which my wife can attest.
Considering how rampant–and frequent–they are elsewhere throughout the universe, I know you’re not really surprised that the chance for any number of phantasmagoric happenstances to play out at this pediatric-leaning syndrome symposium would remain slim to none (as one might say when pressed), right? As we usually observe, the only guarantee at one of these gatherings would be that at least one poor soul is coming away with a scraped knee (left or right is another question).
Hey, haven’t you been here just as long as I have?! I’m having a hard time getting over the bald complacency responsible for such a critical misinterpretation of our most sacred pemmican rulebook! It’s been nigh on six years since that last grand gesture in semantics peppered our idealized fields of vision, and I won’t have this unqualified jabber jockey over here just go on and on about 21st Century-specific chesterfield modulation practices (his favorite spotlight-stealing topic) more than once per full moon, no matter how persuasive he happens to be when the stars come alignin’.
It’s my unrelenting plan
to escape to the future
at any time now, to a time
where the ones greeting me
want only to offer the knowledge
and dynamics of their era.
We’re all quite familiar with that little bit of
science fiction by now–the storied
advanced civilization that doesn’t so much mind
a past-person stumbling upon their developments.
Ya see, these folks would require
astute pupils for their lessons
in temporal psychology, so
if an intuitive person
were to find themselves ensconced
in such an environment,
these lovely future guardians
would instinctively root out
the nature of said snoop’s intentions–
not to mention their accent
or parlance of the time
they oh so unwittingly represent.
• • • • • • • • • • • • • • • • •
Drawing composed August, 2019–
rollerball pen and dry erase marker on printer paper