Yes, And

Improvisation without representation is definitely authorized in this club, though I don’t quite know how it’s supposed to be accomplished (at least without some corporeal manifestation hanging around on this mechanical rotating clothes rack we call the universe).

First off, you’re supposed to “yes, and” the opposition into submission as often as possible, which typically would require a physical body in space and time. However, perhaps a physical body needn’t be required if we piped a nice [tinny] audio stream into the room as the live interaction winds itself down.

But that all goes without stating the obvious: if the instigator of improvisational inquiry has no chunky terrestrial body of which to speak, then why should the foil of the piece remain a solid entity? That just puts the burden on them, don’t you see? Having all of those internal organs thinly covered by what’s basically just a fleshy layer of napkins (and not the two-ply kind)… it’s dangerous! I won’t stand for reckless endangerment in the name of creativity.

Far-Fetched

Stern army fandanglers initiate the bizarrest of letterbox rituals as a way to compensate for their minimal internal squawking about where in the hell to buy a caramel macchiato during a Thursday afternoon rush hour—it’s definitely the most congested freeway seen around these parts in quite some time, the rubbernecks all out in force and jamming up the left lane to catch glimpses of a minor fender bender where the only detail of note would be the involvement of a clown car. Fortunately, no actual clowns happened to be in or, indeed, even around said automobile, or traffic would surely would be at a complete standstill.

The question remains: why is there a clownless clown car on the road? A rational observer would surmise that it’s headed to the shop, getting an oil change or tire rotation, or perhaps being treated to the periodic hand car wash and wax (one of Flopsy® the Clown’s numerous contract stipulations). Suffice it to say that none of these scenarios would benefit from the presence of a real live clown, unless some sort of clowning industry discount were to apply to these local auto-maintenance establishments, which seems utterly far-fetched (yet plausible if our society only knew who pulled the strings).

Never gonna get that got damn macchiato…

Privy

The entrance to the dragon’s putty stash
still remains more elusive
than the eye can even behold,
beyond the fine sheen of the monkey cages
and dull luster of the eccentric
bayonet-wielding sailor whose ship washed
ashore fifty years ago.

We never heard from him again.
Most folks say he died forty-seven years ago–
a rumor started by a since-defamed
public soothsayer–but those once closest
to him claim he’s still there to this day,
perpetually working his way inland,
bayonet in hand,
determined to gaze upon the epic treasure trove.

Nobody knows where the fabled dragon came from
or where it developed its affinity
for putty and putty-related trinkets, but
there’s also no real confirmation
of its actual existence. As a matter of fact,
I think I overheard once that the sailor
made up the entire dragon story in order to justify
the protracted remainder of his marooned life.

I don’t know how the person I was eavesdropping on
could possibly be privy to that knowledge, but…

——

First draft posted on 12/25/11,
originally entitled #80

Wharf

Drinking all the coffee in the world still won’t keep me from passing out like a yellow-bellied stooge wielding a catcher’s mitt much too oversized for his gimpy left hand. Why a catcher’s mitt? Perhaps to shield from the harsh realities of 21st Century American living, or to comment on the perpetual competition bred into our species as though any other way were simply infeasible. Further introspection reveals that this set of details has no basis in literary circles, not unlike a diving Oscar wrangler tethered to a tugboat moored to a wharf comprised of 93% recycled mosquito netting. For the purposes of this exercise, the other 7% shall remain unexplored.