Enter Groucho Violent,
star of the nerves and streets,
a double threat if there ever was one.
His reputation precedes him as witty enough to turn a phrase and hard-knuckled enough to know when to admit defeat in the face of a petulant and pernicious foe who, in all likelihood, believes that their position of power has been handed down to them from the LORD ALMIGHTY, and any little rivulet of diarrhea that escapes their corpulence is to be rendered an earth-shattering development in the field of extrapersonal material management, now and forevermore.
Groucho is no stranger to the justice-enforcement arm of things. When his even-keel demeanor and righteous self-taught martial arts techniques combined on one fateful and blustery Flag Day eve, the Justice Jab was born. If you’re still unfamiliar with the singlemost effective crimefighting maneuver ever concocted by man or beast (in Mr. Violent’s last-ditch effort to uncover the overall reason as to our lack of humility when confronted with reasoning), you have some real catching up to do.
The Justice Jab is a miracle worker when the recipient of said jab needs to be awoken from the haze that they’ve come to accept over time, through sheer laziness and self-disrespect. The haze’s effect causes but is not limited to: depression, sluggishness, flatulence, lack of interest in things one would normally enjoy, unjustified sporadic agitation, and death. Such a disconcerting malady comes as a direct byproduct of this world we’ve inherited (through no fault of our own). Rather than face the music, the vast majority of we, the privileged few, have chosen to consume the content created specifically to manipulate our emotional and physical dependencies more efficiently and cheaply than cocaine ever could.
So the next time you see Groucho Violent
meting out swift street vengeance,
you can rest easy
knowing that he’s doing humanity a service.
Figurine damage indication is just one of the important areas [here at Gareth Laboratories] where I’ve made myself indispensable. I’ve trained 54 associates–and counting–to specialize in the sixteen elements that directly contribute to the continuation of our great institution. I’ve created a simple mnemonic device for them: HOME SMELLS FUNNY P. I’m not very good with anagrams, so that last P is just kind of sticking out there to the side. But that doesn’t matter very much to me, because it serves as a reminder of the absurd penguin amendment to the corporate charter that Lance’s nephew added as a joke (but then ironically caught on like wildfire when I unknowingly passed out invitations to the zoo’s new special penguin house later that afternoon). Coincidences sure are a bitch.
The kids are doing their kidly things again today, just the way they always do (until their hormones start flaring and they become walking orbs of self-pity just wallowing in their existential dross for as long as would be necessary for humans working on that whole enlightenment bit while also losing faith in the authorities once-espoused as the be-all end-all for retrograde composition of exquisite fanfare technology (though very little else when you actually think about it for longer than 10-15 seconds at a time)). Our lord and savior once said “you know, when it comes right down to it, I’m the one who created everything, so you can just go ahead and sell that model train collection, Deborah.” I don’t know who Deborah is in this particular verse, to be honest, but the statement still carries plenty of weight even if you don’t engage in any specific name-dropping activities.
Slammin’ the fit-o-deena–ground lengthwise across a bawdy expanse of thneeds
(which everybody needs)–we took our serenades elsewhere, confident in our knowledge of the occult (i.e. the back-stabbery and latent overall treachery that sorts itself out over the course of dozens of generations) and its ability to stall disbelief as one would when faced with a Mel Brooks-esque (or, to a lesser extent, Mel Blanc-ish) dilemma involving the safety of an entire town, where the hapless protagonist even agonizes over the insignificant-yet-unique blood splotch patterns on each and every last hitching post (with the hopes of creating a permanent photographical installment at the Getty and cementing his status as one of the pioneers of pre-modernized main street massacre legacy documentation that would span the seldom-understood and often-demonized “Wild West” (that is, if he has anything to say about it)).