#73

Mauve steel extensions
become sky at twilight
as their tips scrape goose wings.

Feathers litter the ground around the girders,
forming small piles until whooshed away

by indigo breezes from an unknown deity
of incomplete wealth. All mortals quaver, mouths agape,

incredulous when faced with beams of such height
without visible supports.

Each post lives separately from the other,
though all rely on one another for morale

and some kind of root ball structure
that our simian species would do well to emulate.

——
First draft posted to WHARVED on 11/15/11
entitled #73

Sweet Lady Science

Where do I even begin? Well, we stopped dropping the snakes down the hole and letting them just smack their bellies on the ground because this here sarcastic douchebag decided to get sensitive one day and say “geez, we sure do like hurting snakes!” We all looked at him like he had three or four heads, the favorite number of heads to picture an alien having when you’re gawking at this here guy who all of a sudden gives a damn about snake welfare.

They’re just damn snakes, they’re cold blooded. They’ve lived unchanged for millions of years now and they don’t give a damn about being slammed on the slab if it means we can sleep in peace. That’s right, sentient snakes who have been telepathically communicating with me for a good… seven years now. Wow.

So anyway, go on ahead with your little protest, we ain’t changing these rules for nothing or nobody.

—-TWO WEEKS LATER—-

BREAKING NEWS: SNAKES FEEL PAIN
Scientists Everywhere Urge Citizens:
“Discontinue Dropping Snakes on Slabs”

Jesus, what are the odds? We’ll probably never find out just how this study was started or funded, or how it coincided so perfectly with that sensitive douchebag making his impassioned plea down at the firehouse, but Sweet Lady Science has spoken, and we must heed her words.

“Wild West”

Slammin’ the fit-o-deena–ground lengthwise across a bawdy expanse of thneeds
(which everybody needs)–we took our serenades elsewhere, confident in our knowledge of the occult (i.e. the back-stabbery and latent overall treachery that sorts itself out over the course of dozens of generations) and its ability to stall disbelief as one would when faced with a Mel Brooks-esque (or, to a lesser extent, Mel Blanc-ish) dilemma involving the safety of an entire town, where the hapless protagonist even agonizes over the insignificant-yet-unique blood splotch patterns on each and every last hitching post (with the hopes of creating a permanent photographical installment at the Getty and cementing his status as one of the pioneers of pre-modernized main street massacre legacy documentation that would span the seldom-understood and often-demonized “Wild West” (that is, if he has anything to say about it)).