At Any Rate

Elegant transmission signals
discriminate rather wildly, you’ll find
(if you were to bother thinking much about it).
Well, we’re thinking form over function here, right?
Or is it function over form whenever possible?
Who can even remember anymore anyway?

At any rate, instead of bit-champing
and tooth-gnashing, I’d rather have
a consistent plateau of mountain plush toy friendliness,
if you know what I mean.
And of course you don’t know what I mean;
I don’t even know what I mean
most of the time.

It’s an issue, I’ve been
trying to get out in front of it
(and it’s just kicking my ass, man).
So I’d eventually like
to reach the point where
I can talk to just about anyone
about just about anything,
and that’ll satisfy me
in lieu of actual achievement in this life.

Flesh and Blood

Mannequin rest is a sign of weakness
and cheap plastic.
My stock at the Sears downtown
believes that since they look human,
they should receive pay and benefits
like my flesh and blood employees.

I’m so tired of emphasizing
to these hollow Betties and Bernies
that they were designed, built and purchased
for the sole purpose of displaying garments.
I’m not the one to blame
for their poor quality of life.

Even if their plight was real
or at all justifiable,
how am I supposed to provide
services for company property?
I’m just a shift manager!

I’ve tided them over for now
by letting them form an in-store mannequin union
in the basement (Thursday and Saturday nights
from 7 to 9), but until they’re legitimate,
I’m not breathing a word of this to the higher-ups.

———-
Originally published as part of inaugural post (12/20/2010)
First titled “Swivel Rights”

Sailor Parry

In the midst of a blight
brought forth by injustice,

Sailor Parry
abandoned his bow

in favor of an idiosyncratic approach
buoyed by the near-legitimate agency
with which so many people
squabble on a near-daily basis.

Suffice it to say that he’s miserable now.
The life on the sea was a demanding one,
but nothing he couldn’t handle
(with a nice snifter of scotch
warming in his palm).

He’s not as much of a red tape connoisseur
as most folks sharing the cubicle farm,
and his frustration tends to surface
in the form of a lighthearted jibe
(sometimes misconstrued as unobstructed malice).

As the weeks and months pass,
Sailor Parry begins to doubt
the instinct that drew him
from the briny depths to the skyscrapers
of those self-professed modernographers
who derive satisfaction
from pushing the 21st Century agenda
as far as it can possibly go–and then some.

“All the world’s a sea, but some of it
parades around as a c-word.”