(Nothing More, Nothing Less)

Let’s take a look at the specials, shall we? Ah yes, the infamous Reuben Dip! Once heralded as Middle America’s foremost club dance from 1963, a clever chef has converted it into an open-faced sandwich comprised of corned beef, Swiss, kraut——you bloody well know what comes on a Reuben. The kraut does have a tough time sticking around, which means that the Swiss is really pulling double time to blanket all of its unruly counterparts for the purposes of a successful thousand island dip (and, of course, more than just one dip, because what kind of sandwich would that be, falling apart after just one dip!?). All of this just goes to prove that you really can’t have an idea too grand to be transposed from the clear blue sky, as long as you believe in the work you’re doing. Once upon a time I——of all people——caught myself poo-pooing the idea of representing a pinto bean omelette cooking on the planks of a cruise ship’s bow as it headed to the Galapagos for some tortoise observation (nothing more, nothing less), and for what? A tedious bit of self—censorship for no purpose other than suppression of a creative pang? No thank you, Mr. Governor (if that is your real name). So I wrote it all out, the fateful egg mix congealing to form a canary semicircle of legume-y goodness and taking on life’s subtler philosophical quandaries with a bit of a sense of humor. I called it Hull of Beans, and it was universally panned.

Sailor Parry

In the midst of a blight
brought forth by injustice,

Sailor Parry
abandoned his bow

in favor of an idiosyncratic approach
buoyed by the near-legitimate agency
with which so many people
squabble on a near-daily basis.

Suffice it to say that he’s miserable now.
The life on the sea was a demanding one,
but nothing he couldn’t handle
(with a nice snifter of scotch
warming in his palm).

He’s not as much of a red tape connoisseur
as most folks sharing the cubicle farm,
and his frustration tends to surface
in the form of a lighthearted jibe
(sometimes misconstrued as unobstructed malice).

As the weeks and months pass,
Sailor Parry begins to doubt
the instinct that drew him
from the briny depths to the skyscrapers
of those self-professed modernographers
who derive satisfaction
from pushing the 21st Century agenda
as far as it can possibly go–and then some.

“All the world’s a sea, but some of it
parades around as a c-word.”

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