My name is James Arnettison.
In the following words,
I am going to enlighten you
on the perfect form that is
the sloppy pour.
First off, you might be asking:
“hey James, I gotta ask you something”,
and then I’ll say:
“well go on ahead”,
and then you’ll say:
“cool, thanks for taking the time to listen”
and I’ll say:
“of course, any time!”
It may take a few more exchanges
before getting to the question at hand,
which is this:
what is the sloppy pour?
A sloppy pour is an upcharge
on a shot (the kind you order at a bar).
Rather than a neat pour,
where all the contents are neatly contained
within the confines of the glass,
the sloppy pour
requires virtually no skill.
The bartender is, in fact, encouraged
to waste alcohol
as they attempt to hit the glass
with about 80% accuracy (give or take,
depending on the establishment’s preferences).
The result is the perfect sloppy pour.
Those long ropes of vodka and tequila
will now be even ropier–
up to 30% ropier, in fact–
as bartenders are given the go-ahead
to wreak havoc on the bar top.
We can get into
the sanitary aspects of this practice
another time, though
liquor does tend to disinfect
more than it infects.
Improvisation without representation is definitely authorized in this club, though I don’t quite know how it’s supposed to be accomplished (at least without some corporeal manifestation hanging around on this mechanical rotating clothes rack we call the universe).
First off, you’re supposed to “yes, and” the opposition into submission as often as possible, which typically would require a physical body in space and time. However, perhaps a physical body needn’t be required if we piped a nice [tinny] audio stream into the room as the live interaction winds itself down.
But that all goes without stating the obvious: if the instigator of improvisational inquiry has no chunky terrestrial body of which to speak, then why should the foil of the piece remain a solid entity? That just puts the burden on them, don’t you see? Having all of those internal organs thinly covered by what’s basically just a fleshy layer of napkins (and not the two-ply kind)… it’s dangerous! I won’t stand for reckless endangerment in the name of creativity.
Jemblatrons squeeze through the tetrahedra
as though mall cops have some kind of a stake
in all of this.
It’s not uncommon
to see such a prairie-headed analogy
encompassing the flight of the larcenous
concord penguin, be the bird yella or gold,
kite-running or otherwise.
Whether or not we align ourselves
to this illustrious ancient practice
has little to do with our blood sugar content,
though many shallow-ended participants
profess prediabetic plight.
Stellar calligraphy adorns a battered page
that once belonged to a fastidious girl’s journal.
The loose leaf flits about
the intersection of Halsted and Lake,
dancing above and below cars as they pass by.
I risk life and limb——
actually, I just grab it as I go through the crosswalk——
and hold it up with both hands like a scroll.
It reads: To anyone who’s reading this, don’t act like you’ve found something special. I practice calligraphy at least twice a week and scrap the page when I’m done. You are holding Calligraphy Practice Page #46. The first 45 have all met the same fate as this one. Only time will tell if this or any other of these will be read at all. This may very well be an exercise in futility, if you don’t take into account all the hours of calligraphy practice I’ve been afforded. Doesn’t this script look good? It sure is a hell of an improvement from Page #1, and almost imperceptibly better than #45. I’ve scattered these pages across the city, so good luck finding other ones for the purpose of charting the improvements in penmanship.