The Squadranary Terpscentral Reality Modification Pak (STeRM Pak for short) does seem to have an ulterior motive, or at least some kind of schnitzelfritz that we could sample while stoogifying the unwashed masses for the purposes of gambling. Though these folks wouldn’t have any personal wherewithal in the investment arena, they always seem to have contact info for a person or seven who could give them great stock tips at any time. The investment inflection point rarely comes to pass, as the stoogified masses–in order to complete their training–must become petrified and stupefied in addition to the already rigorous stoogifying certification process. After a quick observation of the situation and the rubrics contained therein, I may be starting to regret my decision to peel away from the world tiddlywinks championship for such unappealing capitalism.
Enter Groucho Violent,
star of the nerves and streets,
a double threat if there ever was one.
His reputation precedes him as witty enough to turn a phrase and hard-knuckled enough to know when to admit defeat in the face of a petulant and pernicious foe who, in all likelihood, believes that their position of power has been handed down to them from the LORD ALMIGHTY, and any little rivulet of diarrhea that escapes their corpulence is to be rendered an earth-shattering development in the field of extrapersonal material management, now and forevermore.
Groucho is no stranger to the justice-enforcement arm of things. When his even-keel demeanor and righteous self-taught martial arts techniques combined on one fateful and blustery Flag Day eve, the Justice Jab was born. If you’re still unfamiliar with the singlemost effective crimefighting maneuver ever concocted by man or beast (in Mr. Violent’s last-ditch effort to uncover the overall reason as to our lack of humility when confronted with reasoning), you have some real catching up to do.
The Justice Jab is a miracle worker when the recipient of said jab needs to be awoken from the haze that they’ve come to accept over time, through sheer laziness and self-disrespect. The haze’s effect causes but is not limited to: depression, sluggishness, flatulence, lack of interest in things one would normally enjoy, unjustified sporadic agitation, and death. Such a disconcerting malady comes as a direct byproduct of this world we’ve inherited (through no fault of our own). Rather than face the music, the vast majority of we, the privileged few, have chosen to consume the content created specifically to manipulate our emotional and physical dependencies more efficiently and cheaply than cocaine ever could.
So the next time you see Groucho Violent
meting out swift street vengeance,
you can rest easy
knowing that he’s doing humanity a service.
It’s that time of year again, Linda! All the kids have been plunking themselves down in front of their TVs this evening for one reason and one reason only: The 46th Annual BacArthur Restaurant Industry Genius Grant Conferment Ceremony, brought to you by Susan and Thomas Q. BacArthur, The Gene F. and Billy D. McGillicuddy Foundation, viewers like you, and several billionaires. The festivities kicked off a few hours early this year, with a charming cocktail reception that appears primed to become a yearly tradition, should the food and beverage industry continue enjoying unprecedented growth–our economic experts unanimously agree to this trend’s sustainability as we close out 2019.
Several of the past year’s top emerging bartenders have been hired to wet the whistles of the greatest eatery / watering hole luminaries in our tri-state region. If you look carefully, you might just see the glimmering looks of magnanimity in the eyes of all these foodservice professionals as they wait with bated breath to find out who’s the lucky recipient of the prize that will allow them to explore their more scholarly pursuits for at least a week–perhaps a fortnight, depending on their current cost/s of living–without having to pick up a desperation shift at the last minute next Friday night.
Truly the American Dream, Linda.
My name is James Arnettison.
In the following words,
I am going to enlighten you
on the perfect form that is
the sloppy pour.
First off, you might be asking:
“hey James, I gotta ask you something”,
and then I’ll say:
“well go on ahead”,
and then you’ll say:
“cool, thanks for taking the time to listen”
and I’ll say:
“of course, any time!”
It may take a few more exchanges
before getting to the question at hand,
which is this:
what is the sloppy pour?
A sloppy pour is an upcharge
on a shot (the kind you order at a bar).
Rather than a neat pour,
where all the contents are neatly contained
within the confines of the glass,
the sloppy pour
requires virtually no skill.
The bartender is, in fact, encouraged
to waste alcohol
as they attempt to hit the glass
with about 80% accuracy (give or take,
depending on the establishment’s preferences).
The result is the perfect sloppy pour.
Those long ropes of vodka and tequila
will now be even ropier–
up to 30% ropier, in fact–
as bartenders are given the go-ahead
to wreak havoc on the bar top.
We can get into
the sanitary aspects of this practice
another time, though
liquor does tend to disinfect
more than it infects.
Diluted monkey parachutes
have led to countless altercations–
most of those deaths
could have been prevented.
Nowhere else but in hiding
would one even entertain
such a horrific factory prediction.
The only excuse for economic ignorance
of this magnitude would be
the natural dearth of current fiscal knowledge,
if we honor our aforementioned hiding scenario–
cowardice in the eyes of an American entrepreneur.
It’s the largest of the large men with largess
who typically manufacture the troll psychology
that plagues today’s youths. They have
nowhere to hide anymore.
Of Nice and Men is a snappy, genre-driven play predicated on your typical hero’s journey through the heartland once regarded as antiquated–cornball, even–in the pseudo-sophisticated shadow of a cultured society we’ve been thrust into by the more majorly militaristic manchildren among us (trading individual liberties for big boy toys and candy).
Since we occupy an epoch where modern delineation truly has strangled the life out of chronological concerns (that is to say we’ve had our fair share of allegorical parallelograms in our time, no doubt about that, no siree), if you find yourself charged with taking in this three-hour beauty, you can–and should–simply attend the theatre as a pilgrim of the arts, allowing yourself to become awash in a different reality, even if only for a glimmering moment.
Other than the obvious sociological implications afforded to us by the title, you’ll be pleasantly surprised by the tap dance sequences that pop up seemingly from out of nowhere (even though I’ve just spoiled the twist for you, but you pay that no mind). In a nutshell, this tour de force pits Americana versus whimsy at the intersection of Leap and Gamble Avenues.
For all my field trip aficionados out there, I recommend bringing a schoolbusful of primary school students to see the Wednesday matinee, as tickets for 12 and under are free.