Enter Groucho Violent,
star of the nerves and streets,
a double threat if there ever was one.
His reputation precedes him as witty enough to turn a phrase and hard-knuckled enough to know when to admit defeat in the face of a petulant and pernicious foe who, in all likelihood, believes that their position of power has been handed down to them from the LORD ALMIGHTY, and any little rivulet of diarrhea that escapes their corpulence is to be rendered an earth-shattering development in the field of extrapersonal material management, now and forevermore.
Groucho is no stranger to the justice-enforcement arm of things. When his even-keel demeanor and righteous self-taught martial arts techniques combined on one fateful and blustery Flag Day eve, the Justice Jab was born. If you’re still unfamiliar with the singlemost effective crimefighting maneuver ever concocted by man or beast (in Mr. Violent’s last-ditch effort to uncover the overall reason as to our lack of humility when confronted with reasoning), you have some real catching up to do.
The Justice Jab is a miracle worker when the recipient of said jab needs to be awoken from the haze that they’ve come to accept over time, through sheer laziness and self-disrespect. The haze’s effect causes but is not limited to: depression, sluggishness, flatulence, lack of interest in things one would normally enjoy, unjustified sporadic agitation, and death. Such a disconcerting malady comes as a direct byproduct of this world we’ve inherited (through no fault of our own). Rather than face the music, the vast majority of we, the privileged few, have chosen to consume the content created specifically to manipulate our emotional and physical dependencies more efficiently and cheaply than cocaine ever could.
So the next time you see Groucho Violent
meting out swift street vengeance,
you can rest easy
knowing that he’s doing humanity a service.
Apple juice permeation of what would have otherwise been considered a cordial affair has shed a new light on the rather pretentious category of social gatherings as we’ve come to understand it (ever since the bungled bungalow endeavor of ought-three).
This particular fiasco began when an advocate for fresh fruit juices invited himself to the festivities, taking every possible opportunity to schmooze with the big names in booze. He slipped past security under the guise of a schnapps magnate named Sir Wilfred von Königstupp and promptly began pushing his non-fermented agenda on the room to decidedly mixed results. The drambuie set found his spiel appalling, whereas the cointreau folks were rather intrigued. Grand marnier was unavailable for comment.
Needless to say, our buddy Wilfred (whose real name will be protected for arbitrary reasons) got the old heave-ho once the Jaegers found out what was going on. His famous charisma at least allowed him to get a couple stream of consciousness quips out there, if only to confound the preppy old money set. Most notable was his impromptu list of “lost arts”, which included (among other things): stadium hopping, hamburger flipping, turkey trotting, limburger tossing, butter mashing, charity giving, the pompadour, and original origami.
Of Nice and Men is a snappy, genre-driven play predicated on your typical hero’s journey through the heartland once regarded as antiquated–cornball, even–in the pseudo-sophisticated shadow of a cultured society we’ve been thrust into by the more majorly militaristic manchildren among us (trading individual liberties for big boy toys and candy).
Since we occupy an epoch where modern delineation truly has strangled the life out of chronological concerns (that is to say we’ve had our fair share of allegorical parallelograms in our time, no doubt about that, no siree), if you find yourself charged with taking in this three-hour beauty, you can–and should–simply attend the theatre as a pilgrim of the arts, allowing yourself to become awash in a different reality, even if only for a glimmering moment.
Other than the obvious sociological implications afforded to us by the title, you’ll be pleasantly surprised by the tap dance sequences that pop up seemingly from out of nowhere (even though I’ve just spoiled the twist for you, but you pay that no mind). In a nutshell, this tour de force pits Americana versus whimsy at the intersection of Leap and Gamble Avenues.
For all my field trip aficionados out there, I recommend bringing a schoolbusful of primary school students to see the Wednesday matinee, as tickets for 12 and under are free.