Apple juice permeation of what would have otherwise been considered a cordial affair has shed a new light on the rather pretentious category of social gatherings as we’ve come to understand it (ever since the bungled bungalow endeavor of ought-three).
This particular fiasco began when an advocate for fresh fruit juices invited himself to the festivities, taking every possible opportunity to schmooze with the big names in booze. He slipped past security under the guise of a schnapps magnate named Sir Wilfred von Königstupp and promptly began pushing his non-fermented agenda on the room to decidedly mixed results. The drambuie set found his spiel appalling, whereas the cointreau folks were rather intrigued. Grand marnier was unavailable for comment.
Needless to say, our buddy Wilfred (whose real name will be protected for arbitrary reasons) got the old heave-ho once the Jaegers found out what was going on. His famous charisma at least allowed him to get a couple stream of consciousness quips out there, if only to confound the preppy old money set. Most notable was his impromptu list of “lost arts”, which included (among other things): stadium hopping, hamburger flipping, turkey trotting, limburger tossing, butter mashing, charity giving, the pompadour, and original origami.
Of Nice and Men is a snappy, genre-driven play predicated on your typical hero’s journey through the heartland once regarded as antiquated–cornball, even–in the pseudo-sophisticated shadow of a cultured society we’ve been thrust into by the more majorly militaristic manchildren among us (trading individual liberties for big boy toys and candy).
Since we occupy an epoch where modern delineation truly has strangled the life out of chronological concerns (that is to say we’ve had our fair share of allegorical parallelograms in our time, no doubt about that, no siree), if you find yourself charged with taking in this three-hour beauty, you can–and should–simply attend the theatre as a pilgrim of the arts, allowing yourself to become awash in a different reality, even if only for a glimmering moment.
Other than the obvious sociological implications afforded to us by the title, you’ll be pleasantly surprised by the tap dance sequences that pop up seemingly from out of nowhere (even though I’ve just spoiled the twist for you, but you pay that no mind). In a nutshell, this tour de force pits Americana versus whimsy at the intersection of Leap and Gamble Avenues.
For all my field trip aficionados out there, I recommend bringing a schoolbusful of primary school students to see the Wednesday matinee, as tickets for 12 and under are free.
Don’t allow the accomplishments of the more senior members of the artistic community frighten you into stagnation, young man (i.e. the type of artist who thinks that he’s probably getting a bit older these days [as one would naturally experience while living some kind of existence as we currently know it] but wouldn’t care to complain about it to anybody in his age group, because [after all] we’re all experiencing our own contemporary struggles that leave very little room for any kind of self-actualizing, let alone exploration of forms that connect our consciousnesses to one another in the form of communal expression).
Just continue to do what you’re going to do (wink wink, nudge nudge, say no more), and the self-prescribed purpose of your toiling will eventually unveil itself. The purpose may have actually [indubitably] been there from the start, and you (the recipient of a lifetime’s worries and schematics) are only just awakening to the possibility of its interconnectedness and unbounded potential when merged with the human psyche.
Then [and only then] will you uncover the true nature of our fictitious narrative centered around the cultivation of blue cheese cultures (and please don’t ask a tedious question as to why it’s cheese over every other possible culture, we’ve heard them all, trust us).