Far-Fetched

Stern army fandanglers initiate the bizarrest of letterbox rituals as a way to compensate for their minimal internal squawking about where in the hell to buy a caramel macchiato during a Thursday afternoon rush hour—it’s definitely the most congested freeway seen around these parts in quite some time, the rubbernecks all out in force and jamming up the left lane to catch glimpses of a minor fender bender where the only detail of note would be the involvement of a clown car. Fortunately, no actual clowns happened to be in or, indeed, even around said automobile, or traffic would surely would be at a complete standstill.

The question remains: why is there a clownless clown car on the road? A rational observer would surmise that it’s headed to the shop, getting an oil change or tire rotation, or perhaps being treated to the periodic hand car wash and wax (one of Flopsy® the Clown’s numerous contract stipulations). Suffice it to say that none of these scenarios would benefit from the presence of a real live clown, unless some sort of clowning industry discount were to apply to these local auto-maintenance establishments, which seems utterly far-fetched (yet plausible if our society only knew who pulled the strings).

Never gonna get that got damn macchiato…

Sailor Parry

In the midst of a blight
brought forth by injustice,

Sailor Parry
abandoned his bow

in favor of an idiosyncratic approach
buoyed by the near-legitimate agency
with which so many people
squabble on a near-daily basis.

Suffice it to say that he’s miserable now.
The life on the sea was a demanding one,
but nothing he couldn’t handle
(with a nice snifter of scotch
warming in his palm).

He’s not as much of a red tape connoisseur
as most folks sharing the cubicle farm,
and his frustration tends to surface
in the form of a lighthearted jibe
(sometimes misconstrued as unobstructed malice).

As the weeks and months pass,
Sailor Parry begins to doubt
the instinct that drew him
from the briny depths to the skyscrapers
of those self-professed modernographers
who derive satisfaction
from pushing the 21st Century agenda
as far as it can possibly go–and then some.

“All the world’s a sea, but some of it
parades around as a c-word.”