The High Road

An intricate series of hoofprints
on the stale lithograph
we’ve come to call home
has bled insignificantly–
but not unnoticeably.

Yes, that’s correct. Hoofprints
have bled just enough
for this observer to comment.

Now, I’m aware that there are countless crackpots
who espouse the virtues of anti-vaxxers and birthers,
and this would be right up their alley.
However, I choose to take the high road.

A wise individual once told me
that the low road is the slipperiest,
because the maintenance people need to mop
more often than on the high one

(they have the kind of smelly chemical
floor cleaner that doesn’t dry as quickly
(and they’re always out of wet floor signs)).

With a Vengeance

I thundered through the threshold,
enthralled by many a porcupine diary–

when will we ever learn the true everlasting
Constantinople cantaloupe constitution?
I reckon never, though many local geniuses
think there’s a global phenomenon unfolding
with a vengeance.

I can only postulate,
though the post-latte high
seems to have stalled for a moment,
just briefly enough to incriminate
the most experimental of dancers
both near and far.

We’re still left baffled
by Hemingway’s cat collection,
but a learned individual once told me
that the more toes a feline has, the closer to
ultimate self-actualization
the beholder becomes.

Shotgun or no shotgun,
there’s quite a bit of cortex
to bandy about all willy nilly
if you’re willing to lose a day or two
to the unbending, unaltered
chimpanzee rhetoric machine.
Oh lord, I’ve lost
too many days
to count.