Mr.

Mr. “Screams ‘GEEZ!'” went rarin’ by my left window,
almost as though he’d even had a care in the world–
if it hadn’t been for that cheez whiz spritzer marmalady
gettin’ her gunk in his junk (or his gunk
in her junk, can’t quite remember).

Elemensexary, my dear Tulip the Begonia Wallace.
I’ve been awaiting your arrival for some time now,
young man. I can’t wait to get a good pasta cooking,
if you know what I mean. If you don’t,
no worries, we’ll get you set up like a Pastafarian
on Wednesday evenings, ensconced in the price of
the pledge of allegiance. You may consider this schedule
an eighth more sensational than the tap dodger aligners
who’ve risen to prominence within the last four months.

But enough of that nonsense, it’s about time for me
to devote the digestion of fandom complication atoms
to a starry-eyed wanderer named McGriff (who looks
nothing like Elliott Gould, no matter what LaVernia says).

Gregory Poke

A tortoise–let’s call it Gregory Poke–
peeps its head out from inside its shell
in an effort to feel alive,
truly alive, for the first time in weeks
(maybe months).

Gregory doesn’t quite know what to do next.
There are no predators to be seen
for hundreds of yards in every direction. Wait,
there are no predators here. How many times
does Greg have to remind itself of that?

And will it ever get over the affliction
of constantly referring to itself
in the third person? The answer may never arrive,
as this writer can only use 100 words. Howev–

Sailor Parry

In the midst of a blight
brought forth by injustice,

Sailor Parry
abandoned his bow

in favor of an idiosyncratic approach
buoyed by the near-legitimate agency
with which so many people
squabble on a near-daily basis.

Suffice it to say that he’s miserable now.
The life on the sea was a demanding one,
but nothing he couldn’t handle
(with a nice snifter of scotch
warming in his palm).

He’s not as much of a red tape connoisseur
as most folks sharing the cubicle farm,
and his frustration tends to surface
in the form of a lighthearted jibe
(sometimes misconstrued as unobstructed malice).

As the weeks and months pass,
Sailor Parry begins to doubt
the instinct that drew him
from the briny depths to the skyscrapers
of those self-professed modernographers
who derive satisfaction
from pushing the 21st Century agenda
as far as it can possibly go–and then some.

“All the world’s a sea, but some of it
parades around as a c-word.”