“Wild West”

Slammin’ the fit-o-deena–ground lengthwise across a bawdy expanse of thneeds
(which everybody needs)–we took our serenades elsewhere, confident in our knowledge of the occult (i.e. the back-stabbery and latent overall treachery that sorts itself out over the course of dozens of generations) and its ability to stall disbelief as one would when faced with a Mel Brooks-esque (or, to a lesser extent, Mel Blanc-ish) dilemma involving the safety of an entire town, where the hapless protagonist even agonizes over the insignificant-yet-unique blood splotch patterns on each and every last hitching post (with the hopes of creating a permanent photographical installment at the Getty and cementing his status as one of the pioneers of pre-modernized main street massacre legacy documentation that would span the seldom-understood and often-demonized “Wild West” (that is, if he has anything to say about it)).

Scribbles

Tiny little jubilants toss paint chips
into the rat-faced fire as their attempt
to reap the benefits of social currency.
Judging by their naiveté–they’ve only
just entered the space quite recently–
it would seem they’ve missed out on
the initial burst and are plunging into
an inescapable trough of national debt (god
bless them all, those stalling sensationalists
of the written turd). Once the uninformed masses
have been clued into a sensation, it’s only
a matter of time before the bliss splits
lengthwise and shatters the giblets
from within, a process even more frightening
than one would think at the onset.

Myself, I prefer to stick with what I do best:
painting Portuguese on piers that had once
bustled with trade activity, now disconnected
from commerce yet occupying the same space anyhow.
We wasteful invaders–of course we must leave
the bones of our prior successes to rot
in plain sight, unadorned (aside from my scribbles).