Panic!

Spindled tickets desire not much more from their makers
than the basic recognition of their proper utility
in the overblown social experiment
known as customer ordering and service rendering.

Once stabbed and stacked, impaled indefinitely,
our punctured pals wish not to be moved
until they and their carbon paper cousins
all make the grand pilgrimage together.

When each new spent batch has been manhandled
and hurtled to the hallowed trash can (the one
with the mass-produced “Law & Oarder” bumper sticker
carelessly splashed onto it as a graffiti-hider
and exercise in pointless consumerism)–the one
that a wise old papyrus once celebrated
as heaven incarnate–contagious catharsis
sweeps through the crinkled pile.

Since all their common ancestors disappeared forever
upon meeting the can of destiny, the soon-deceased
sensibly assume that it must be a pretty swell place
to stick around for a solid chunk of time (probably
just positively loaded with recreational activities).
No panicky paper here, no sir. Delusional, definitely,
but not a hint of panic!

Bonanza

Gordon George’s
Estwing Bonanza

tweaks recognition, that
underrepresented showcase
of carnival barkery.

At its finest,
you’ll see Jeffrey Finito——
attractive man of misery
and attentive sham of Mister T——
slaloming
down the underweather pass to
transfer schmaltz patterns
to his underwater dentist’s
cauldron collection,
one schmutz at a time.