Muse

When the Muse
presents herself to you
as fully and openly as any artist
could have ever possibly hoped
throughout human history,
all one may do is thank her
for taking the time to schedule a visit.

Her glory is unmatched when it comes to graciousness and humility; she shares no physical boundary with the human system we’ve come to regard as the established norm for what we’re supposed to embody as advanced beings on a planet where the other most-advanced large-brained mammals still “talk” in the form of growls or roars or yips or screams or ticks or pretty much any form of communication not considered oral language on par with what we use in our daily lives (let alone the kind of language a doctor or Spanish teacher needs to decode on a regular basis).

Bully for Them

The very first horse-drawn carriage must have come as a shock to the ants taking their time crossing the land that at one point had never been designated specifically for human travel–and subsequent travails.

Now the unattached heel of a wayward boot has come across my plane of vision, and all of a sudden, horse-drawn carriages and ant opinions have no bearing over my perception as a red-blooded artist keen on taking over the world several well-placed poems at a time.

A long-suffering server has come to understand–a solid number of years ago, mind you–that people have no rhyme or reason when it comes to leaving their shit behind at a bar (even if they haven’t imbibed enough to lose their conception of personal property and the detriment of ignoring the objects directly surrounding them). Perhaps that very basic principle just isn’t present in their conscious minds in the same way as the long-suffering server–we’ll call him Frank.

Perhaps, just perhaps, they’ve transcended the idea of personal property entirely, to the point where everything is everything and nothing, and a backpack or purse or boot heel are inconsequential in the grand scheme of their lives. And bully for them.